After clearing 300+ tracks across 15+ countries, I kept seeing the same pattern: producers would fall in love with a song in the edit, then find out it was impossible to license.
Sometimes the cost was 10× the budget, €15,000 for a track they thought would be €1,500. Sometimes the rights were split across 8 publishers in 4 countries, each with different approval hierarchies. Sometimes the clearance timeline was 6 weeks, and they needed it in 2.
Music supervisors know this. We've built mental models for pricing and rights complexity through hundreds of deals. We can look at a track and estimate: "That's probably €2,000-3,500 for EU streaming. Three publishers, Warner master, medium complexity. If your budget is under €2,000, I'd consider alternatives."
But producers don't have that. They're making licensing decisions blind, choosing music based on creative fit, then hoping it's clearable. By the time they find out it's not, they've already invested editorial time, client approvals, sometimes even marketing materials.
So I structured that knowledge into a tool.
Music Oracle gives you the pricing logic and rights intelligence that supervisors use. Not to replace us, but to help you make informed decisions earlier. You can assess feasibility in seconds, not weeks. And when it gets complex, I work with you directly.
Think of it like this: The tool is your pricing GPS. It shows you the route and estimates the cost. I'm the navigator you call when the route gets tricky: road closures, detours, local knowledge that no map can capture.
Most sync licensing tools try to automate everything or replace human judgment. Music Oracle does the opposite: it surfaces complexity early, so you know when to DIY and when to get expert help.
